Anne Bonny #BlogTour #Extract The Wartime Midwives by Daisy Styles #NewRelease #HistFic #Saga #WW2Fiction #ww2

coverThe Wartime Midwives by Daisy Styles
Review To Follow

Synopsis ~

In the dark days of war a new hope is born . . .

Mary Vale, a grand and imposing Mother & Baby Home, sits on the edge of the Lake District. Its doors are open to unmarried women who come to hide their condition and find sanctuary.

Women from all walks of life pass through Mary Vale, from beautiful waitress Emily, whose boyfriend has vanished without trace, to young Isla, cast out by her wealthy family after her first year at university goes horribly wrong.

Awaiting them is Nurse Ada and Sister Anne who work tirelessly to aid the mothers and safely deliver the babies. But the unforgiving Matron and Head of Governors, Captain Percival, have other, more sinister, ideas.

As war looms the women at Mary Vale must pull together for the sake of themselves and their babies and Ada and Anne must help protect their patients, no matter what the cost.

Extract ~ 

In her college digs in Durham, Isla Ross took small sips of
water from the glass she clutched in her trembling hand.
‘God!’ she gasped. ‘If only I could stop being sick …’
She was trying to pack her belongings into a suitcase in
order to vacate her room, which her crabby landlady was
keen to repossess.
‘I’ll be off soon,’ Isla had promised.
Secretly, she’d been hanging on for longer than was
sensible for one purpose
only –
to talk to Professor Wiley
about her condition.
‘God!’ She gagged again, as her stomach seemed to rise
into her mouth.
For somebody who hadn’t eaten for what seemed like
days, how could she keep on vomiting like this? After the
bout had passed, Isla almost collapsed on her narrow single bed; staring up at the ceiling, she tried to stop the tears
welling up in her eyes. What a mess she’d made. What an
unbelievable bloody fool she’d been. Up until she’d been
twenty-one years old, she’d never even as much as kissed
a boy; then, at the beginning of her second year at Dur

ham, she’d fallen head over heels madly in love with her
middle-aged English professor, who’d literally seduced
her with the poetry of William Shakespeare.
All through her first year at college her friends had tried
to involve Isla in their social life, which centred around the local dancehall. To start with, just to show willing, she’d
gone along with their giggling plans, allowed herself to be
made up and dressed up in borrowed crêpe dresses. At the
dancehall she’d drunk only shandy, while her friends
downed gin and orange, and she’d actually hidden in the
ladies’ toilet when the dance band struck up.
All Isla had ever wanted to do was to read books and
study English literature: Shakespeare, Byron, Keats, Chaucer, the Brontës, Jane Austen, T. S. Eliot. A star pupil at
Benenden, she’d come to Durham to
study – not to dance and drink and find a boyfriend. She appreciated her friends’ joie devivre (the last thing she wanted was for them to think
she was an intellectual snob), but she really did detest those
Saturday nights at the dancehall, where she actively avoided
men rather than enticed them. When her friends finally
realized how shy and retiring Isla was in public, they stopped
asking her to join them, for which Isla was truly grateful.
And that’s how her student life had been: quiet, peaceful,
studious and
happy – until Professor Keith Wiley had laid
eyes on the cleverest student in his tutorial group. Isla Ross,
with her silver-blue, dreamy Highland eyes and luscious pink lips set in a sweet, heart shaped face framed by curling silver-blonde hair. She had a soft young body, with curves in all the right places, and distinctly strong, muscular legs
because of all the hockey matches she’d played at boarding
school. Though innocent Isla didn’t know it, Keith Wiley
was famous for his dalliances with clever, pretty girls, whom
he charmed with compliments and attention. Nobody could
have been more infatuated than Isla when Wiley critiqued
her essays or selected her to read passages from Shakespeare
and Marlowe in her lilting Scottish voice.

When the professor had asked Isla if she’d like to
accompany him to the theatre to see a local production of The Tempest, Isla had almost swooned in delight. They’d met on a snowy night and walked into the town centre, the Professor gallantly taking her arm in order to stop her from slipping on the icy roads.
The production was mediocre, but Isla thought it was sublime; she knew all the
great lines from the play and whispered them under her
breath as she watched the actors on stage. ‘We are such
stuff as dreams are made on,’ she murmured.
Taking her hand and softly kissing her fingertips, Keith
Wiley had concluded the line for her: ‘And our little life is rounded with a sleep.’
Hearing his deep Northern voice in her ear, Isla’s pulse
raced and her heart beat so fast she was sure
he would hear it. During the interval they drank sherry at the bar
and discussed the performance; Isla had never been so
happy, so alert and so in tune with another human being. He might be double her age and her tutor, but she was quite incapable of
resisting his kisses; in fact, she welcomed them with an intensity that surprised her. ‘Goodnight, dearest girl,’ he’d murmured as they parted, with
the snow still falling softly around them. ‘Come and see
me in my rooms tomorrow; we have so much to discuss.’
Weak at the knees, Isla had agreed and gone to bed in
a haze of romantic infatuation.‘And
look where that got me!’ she thought bitterly now.


Anne Bonny #BlogTour #Extract The Dangerous Kind by @deboc77 #NewRelease #Thriller #Psychological #LiteraryFiction @zaffrebooks #1in100People

The Dangerous Kind by Deborah O’Connor
Review To Follow

Synopsis ~

Perfect for fans of Anatomy of A Scandal, He Said/She Said, and Belinda Bauer, The Dangerous Kind is at once a gripping thriller and a stunning portrayal of the monsters that live among us.

One in 100 of us is a ‘potentially dangerous person’ – someone likely to commit a violent crime. We all know them: these charmers, liars and manipulators. The ones who send prickles up the back of our neck. These people hide in plain sight, they can be teachers, doctors, holding positions of trust, of power.

Jessamine Gooch makes a living tracking the 1 in 100. Each week she broadcasts a radio show that examines brutal offences, asking if more could have been done to identify and prevent their perpetrators.

But when she agrees to investigate a missing person case involving a young mother, she is drawn into a web of danger that will ultimately lead to the upper echelons of power, and threaten the safety of her own family.

What if the people we trust are the ones we should fear?

Extract ~

I follow him across the garden and out through a gate in the wall. Away from the manor house it is dark, the night sky bloated with snow that has yet to make itself known.
We keep walking, and before long we reach the foot of a muddy hill.
He tackles the incline at speed. I do the same. The hill is steep, and by the time we reach the top we’re both panting. Ahead, a perimeter of ragged orange netting, held taut by iron posts, rings a copse. He lift s a damaged section of the netting into the air.
‘The broadband in this part of the country is rubbish.’ He nods towards the trees. ‘They’ve been digging. New cables.’
I duck underneath and he joins me on the other side. The edge of the copse is overgrown with weeds and brambles. Thorns catch on my coat as we push our way into a small clearing.
‘That’s better.’ He breathes in the cold air. ‘I can think out here.’
The moon is full but the canopied criss-cross of branches means that large patches of the clearing are in shadow. I head for the carcass of a felled tree, covered with moss: the brightest available spot. I’ve been waiting thirteen years for this moment. I want to be sure to see the look on his face.
I don’t notice the hole.
My ankle twists on the precipice. Unable to take my weight, the cliff ledge collapses beneath me and clods of earth crash into the puddles below. I scramble, trying to right myself, but the crumbling soil continues to give way. I am about to topple forwards, into the hole, when I feel his hand clamp my arm.
‘Watch it.’ He yanks me back to safety. ‘That’ll be the digging I warned you about.’
My legs are rickety. I stagger over to the mossy tree trunk and sit down, my breaths short and shallow. My bicep stings. I had forgotten about his hands. His grip. Strong enough to bruise.
He inspects the hole. ‘This must be one of the sites they have yet to fill in.’
I wait until I’ve stopped shaking, then join him at the edge. This time I make sure to keep well back.

The hole is the diameter of a child’s paddling pool and twenty feet deep, the bottom spotted with puddles. The walls are a sheer vertical drop, sliced clean where the machinery has dug down to the layers below, their surface punctuated by white knuckles, tree roots that have pushed out through the mud into thin air.
Now that my eyes have adjusted to the dark I see mounds of dirt lined up on the opposite side of the hole and that a trail of abandoned tools – spades, buckled plastic buckets and odd bits of metal – litters the ground all the way back to the edge of the copse.
‘Come on, then. Out with it.’ He steps forward into a square of moon-light. ‘Why are you here?’
I look at him, standing there in his suit and tie. His brogues are ruined, the tiny holes and scalloped edges clogged with mud. He’s in his late fifties, his features slacker than they once were, but overall he’s aged well.
He’d always dressed smartly: chinos and polo shirts, jeans with a crease pressed down the middle of each leg. But this suit looks expensive. Something about the cut and line of the shoulders, the way the material hangs flush against his shirt.
‘Because it was wrong.’ I try to sound braver than I feel. ‘What you did.
What you tried to do.’
He won’t look at me. Instead he looks slightly to the left of my head, at the trees behind. ‘Is it money? Is that what you want?’
I’d imagined this moment so often. How it would feel to see him again.
Would I be angry? Scared? Now I’m here I feel something I had never anticipated. Disappointment.
‘I told you what happened that night. You promised to help. You lied.’
He scoffs and waves his hand in the air. Filled with a new sense of purpose, he starts to pace up and down, as though he’s dictating a letter and I’m his secretary, there to take notes.
‘I saw you as a favour but now I think it best if you leave.’
‘Times have changed. Back then, no one would listen. Now they’re all ears.’
The hole gapes blackly behind him. ‘I’m going to tell them everything.’
I pause. ‘So are the others.’
He stops pacing. ‘Others?’
‘You passed us round like we were nothing. I don’t care who you are now,’ I gesture back towards the manor house, ‘or who you’re going to be. It’s time you were brought to account.’
‘Whatever it is you think you’re talking about . . .’ he lapses into silence, reaching for some memory, but it won’t come, or he discards it ‘. . . you’re mistaken.’
There is no sound. The temperature has dropped. A sudden hoar.
‘Think about your family. That’s why I’m here. To give you a chance to talk to them before it breaks.’
This was true, but it was more than that. Watching the after effects on the news, him leaving a police station with his lawyer, harried and trying to cover his face with a newspaper, would not be enough. For my own sanity, I needed to be the one to confront him, to take back that bit of control.
He looks at his feet.
I relax a little. I’ve done what I came here to do. He reacted as I’d expected but now he seems to be taking me seriously. He is almost contrite.
He turns, and for the fi rst time since I got here he looks me in the eye.
I think he is going to apologise, to try and explain, but then he raises his hand and, whiplash fast, he slaps me.

Deborah O’Connor

fear-trust-image killer-quote

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