Anne Bonny #BookReview It Was Her by @markhillwriter #CrimeFiction #NewRelease #DIRayDrake #Series @littlebrown The toxic family, with toxic children that hide behind a middle-class façade #ItWasHer

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It Was Her by Mark Hill
Review copy
Synopsis:

Twenty years ago, Tatia was adopted into a well-off home where she seemed happy, settled. Then the youngest boy in the family dies in an accident, and she gets the blame.

Did she do it?

Tatia is cast out, away from her remaining adopted siblings Joel and Poppy. Now she yearns for a home to call her own. So when she see families going on holiday, leaving their beautiful homes empty, there seems no harm in living their lives while they are gone. But somehow, people keep ending up dead.

Did she kill them?

As bodies start to appear in supposedly safe neighbourhoods, DI Ray Drake and DS Flick Crowley race to find the thinnest of links between the victims. But Drake’s secret past is threatening to destroy everything.

My Review:

I was a big fan of Mark Hill’s debut novel His First Lie, as a psychological thriller it worked well to have so many added twists and turns. This new release is similar in that sense, but the plotline is completely different. This time we have a new potential baddie by the name of Tatia. Can DI Ray Drake and DS Flick Crowley solve the case, whilst avoiding their own dark secrets?

One moment Will was there, and the next –

20yrs ago the Tatia Mamaladze was given the new name of Sarah and adopted into the Bliss family. Jill and Patrick Bliss are a politically ambitious couple and sought to expand their profile. However, it all went wrong one sunny day with a walk along the cliffs. Their life as they knew it was shattered and they were left to deal with the grief and pain of their 3yr son Will’s death. Siblings Poppy and Joel were ushered into the family fold, whereas Sarah was ostracised! Which left permanent scars, on her already fragile well-bring. Needless to say Tatia has never gotten over being the outcast. . .

The novel opens with the crime scene of murder victims of Simon and Melinda Harrow. They returned from their holiday early due to a work emergency, only to disrupt their burglar and were savagely beaten to death! The crime scene is a mess and there is evidence everywhere. Whoever did this is neither skilled nor even trying to hide their finger prints. The killer is brazen, with a clearly vicious temper.

‘Let’s hope Goldilocks has an alibi’ – Eddie Upson

Additionally, to the backstory of the Bliss family and present-day crimes, Flick is struggling to cope carrying the burden of Drake’s secret.
Will she expose them or keep it quiet?

The intruder murders – Goldilocks killings continue, with more victims discovered beaten to death in their own homes. When the killer eventually strikes at a home with children in bed. At the Judd residence the daughter Emily (5yrs) not only saw the killer but spoke to her and it is then revealed that the person she spoke to was female. The woman appeared caring in nature towards Emily and even tucked her back into bed after committing the murder of her parents. . .

‘Come along, Emily let me take you back to bed’

The novel then jumps from the current string of murders to the present-day Joel and Tatia. The pair live together with Tatia’s lover Carl. Joel appears immature and needy, he is submissive to Carl and lives under his rules. Tatia is protective of Joel and wants to have the ‘perfect family’. Whilst Carl is bossy and domineering. It is a bizarre set-up and one that is destined to spill over into violence.

‘Death, violence seemed to follow her everywhere’

The novels timeline moves around to show various stages in the aftermath of Will’s death. We learn that Sarah/Tatia was blamed for the death and most specifically by her adopted sister Poppy.
No matter how much she tries to impress upon Poppy, her mind is set. . .

‘Whatever deluded thought you have in your head, you are not, and never will be, part of our family’ – Poppy

The aftermath of Will’s death had huge ramifications for the family. Patrick would go onto become an alcoholic and commit suicide by hanging, to be discovered by his young son Joel. It is Tatia that continues to shoulder the blame for every misfortune that occurs to the family. But why? Is Tatia as evil as they say she is?

‘Tatia was a bad seed. Always was. Always will be’ – Poppy

This novel is a fast-paced rollercoaster of a ride. The toxic family, with toxic children that hide behind a middle-class façade builds to a dramatic ending for all concerned.
The various personalities of the Bliss family keep you guessing and guessing. It is clear to see, everything was far from bliss in that family. 4*

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Mark Hill
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My Review for His First Lie
Q&A with Mark Hill

Anne Bonny #Author Q&A with @markhillwriter #HisFirstLie #ItWasHer #DIRayDrake #Series #AuthorTalks

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His First Lie by Mark Hill
Synopsis:

Do you want a thriller that grips from the first line?

Do you want a thriller to leave you gasping for air?

Connor Laird frightens people: he’s intense, he’s fearless, and he seems to be willing to do anything to protect himself and those he loves. He arrives in the Longacre Children’s Home seemingly from nowhere, and instantly becomes hero and villain to every other child there.
Thirty years later, someone is killing all of those who grew up in the Longacre, one by one. Each of them has secrets, not least investigating cop DI Ray Drake.
One by one the mysteries of the past are revealed as Drake finds himself in a race against time before the killer gets to him.
Who is killing to hide their secret?

And can YOU guess the ending?

My Review

Q&A:

Q) I mention at the beginning of my review, that the theme and nature of the crime does leave me with specific reservations about the scenes within. I do however think this novel was intelligently written and did not rely upon graphic scenes at all. As a writer and especially as a debut author, did you create a list of your own rules in the writing of this novel?

A) I think as a debut author, you’re always in search of that elusive u.s.p. What do you do well as a writer? What do you like doing? What is it that makes you different from other authors? A lot of those decisions are instinctive, so I’m not going to lie and say I had a very specific plan of what I wanted to do. I knew I wanted to write in two timelines – the past and the present – and I knew that where violence is concerned, less is more. The odd, sudden burst of violence is more shocking than endless fisticuffs and fights. Everything else evolved without my ever quite noticing it. I don’t think rules are overly helpful Having completed two books now and nearly a third, I realise that as soon as you invent a rule for yourself as a writer, you end up breaking it almost immediately. And don’t let other people tell you what the so-called rules are, because there aren’t any. I love that W. Somerset Maugham quote: ‘There are three rules for writing a novel. Unfortunately, no one knows what they are.’ I love reading on social media so-and-so’s rules for writing, but I take them with a pinch of salt. Everyone does it differently.

Q) I also mention the comments I have read, regarding another novel. With it labelled as ‘uncomfortable reading’. I personally think if an author can resonate with a reader on such a level; the message of the novel has truly gotten across on the page. When the novel was released were you concerned that some readers may find the themes uncomfortable?

A) Not really. As you say, the abuse stuff happens off page. It’s not something I would be comfortable writing, it’s not something I really wanted to dwell on. It’s implied, and I think readers realise that it’s very much not the focus of the novel, which is hopefully the twisty thrills and satisfying investigation. And, of course, it’s meant to be kind of uncomfortable because you want to feel sympathy for the characters. But at the end of the day, His First Lie is intended to be an entertainment – it stands or falls by whether readers like the characters and the twisty plot and the mystery at the heart of it.

Q) The novel is a very accurate portrayal of victims and their psychology. Specifically relating to their ‘coming of age’. Did you research the background of institutionalised care settings? Did the research make for harrowing reading itself?

A) No, I didn’t! But we’ve all been teenagers. It’s a confusing period at the best of times. The Longacre Home in my novel is more of a fever-dream than based on any real place. I wanted to write a novel about dark childhood secrets coming back to haunt adult characters and a children’s home seemed to have more gravity as a choice than the circus! The former residents of the home don’t get an easy time of it in His First Lie, it’s true, but then nobody does.

Q) The character of Connor Laird, has so many layers. Was there a real-life inspiration behind his characterisation?

A) I do hope not! But I like Ray, he’s a little bit of an enigma and there’s plenty to explore. He’s like one of those icebergs, the vast majority of his personality is hidden deep, deep below the surface, and I look forward to mining further aspects of him in the future. But he’s not based on anyone in particular. True, he can be charismatic and charming, traits I’m often reminded of when I look in the mirror…

Q) Gordon Tallis is the very stuff of my nightmares. His reckless disregard for the children in his ‘care’ and his systematic abuse is terrifying. But his character is essential to portray the vulnerability of the young kids. Was Tallis based around any of the high-profile cases in the media?

A) No, but it was difficult not to be aware of the avalanche of allegations and revelations that filled the newspapers for a couple of years. I wanted to write a character who was an absolute shitbag, someone who knew he was damned and who was comfortable with the idea, and Tallis was that guy. I liked the idea of having someone long dead – more than thirty years at the time of the novel – and forgotten by the world, reduced to just a name in a newspaper report, but whose existence still casts a long, threatening shadow in the lives of a few people.

Q) Thank you for the hard-hitting and emotional read of His First Lie. It really will stay with me for a long time. Do you have a next release planned? And can we have any snippets of information?

A) People have asked me what happens after ‘that’ cliff-hanger, well, the answer is coming soon. The second Drake book, It Was Her, comes out in May, and it’s about a series of terrifying home-invasions. Someone is taking an inconvenient interest in Drake’s past. And, again, the inexplicable crimes at the heart of the investigation have their roots in the past, and in one woman’s desperate attempts to put back together the family who rejected her… I’m thrilled with this new book, and really can’t wait till people get to read it!

Thank you so much for taking the time to complete my Q&A. I wish you every success with your future writing career.

MH: You’re very welcome, Abby – and thank you for the lovely review!

 

Coming Soon!!!!! 17th May and just £1.99 for pre-order
Cover 2
It Was Her by Mark Hill
Synopsis:

Do you want a thriller where nothing is as it seems?

Twenty years ago, Tatia was adopted into a well-off home where she seemed happy, settled. Then the youngest boy in the family dies in an accident, and she gets the blame.
Did she do it?

Tatia is cast out, away from her remaining adopted siblings Joel and Sarah. Now she yearns for a home to call her own. So when she see families going on holiday, leaving their beautiful homes empty, there seems no harm in living their lives while they are gone. But somehow, people keep ending up dead.
Did she kill them?

As bodies start to appear in supposedly safe neighbourhoods, DI Ray Drake and DS Flick Crowley race to find the thinnest of links between the victims. But Drake’s secret past is threatening to destroy everything.

Mark_Hill-308
Mark Hill
Website
Twitter

Anne Bonny #BookReview His First Lie by @markhillwriter 5* #CrimeFiction #DIRayDrake #Ebook 99p @LittleBrownUK

cover
His First Lie by Mark Hill
Synopsis:

Do you want a thriller that grips from the first line?

Do you want a thriller to leave you gasping for air?

Connor Laird frightens people: he’s intense, he’s fearless, and he seems to be willing to do anything to protect himself and those he loves. He arrives in the Longacre Children’s Home seemingly from nowhere, and instantly becomes hero and villain to every other child there.
Thirty years later, someone is killing all of those who grew up in the Longacre, one by one. Each of them has secrets, not least investigating cop DI Ray Drake.
One by one the mysteries of the past are revealed as Drake finds himself in a race against time before the killer gets to him.
Who is killing to hide their secret?

And can YOU guess the ending?

My review:

The theme of historical abuse of children within a care setting is an extremely tough topic to put across in a novel. I did have some reservations regarding how this would be given a sense of realism. However, the author did not rely upon graphic visual scenes of abuse. Nor did he portray the adult victims in an unrealistic way. What the author has done, is show how truly devasting the effects of abuse can be, to the young mind.

I recall another book, recently released which received negative comments for making the reader feel uncomfortable with its themes of historical racism. His First Lie, reminded me of that in one way. The theme of racism or historical sexual abuse of children is supposed to be uncomfortable. Because it was horrendously uncomfortable for those that endured it. I personally think the author has done a fantastic job of writing about such an emotive issue. Regardless of your personal feelings to real-life or high-profile cases, open the novel and listen to the journey of Connor Laird.
It is an incredibly powerful and heart-breaking journey.

‘The boy loved his parents more than anything on this Earth. And so he had to kill them’

The novel opens on the English Channel in 1986. It is an intense read, right from the opening pages. We are aware that there is a young boy consumed by self-loathing due to an event in his past. I love that the author hadn’t used violence to shock the reader. But the psychology of a broken mind, trying to grasp a hold of sanity. I knew this was going to be an intelligent novel, carefully crafted.

The novel then jumps to the present day. A bunch of coppers gather in a pub, to celebrate a recent commendation. The coppers are then briefly introduced. The central detectives are DI Ray Drake and his newly promoted DS Flick Crowley. The partnership between an experienced male police officer and a female eager to prove herself, works very well throughout the novel.
Flick and Ray are called to the scene of a brutal murder. A scene where three victims have been bound and stabbed. Flick is put in-charge of the case. Ray finds it difficult to let go of the case, especially when he recognises one of the victims. . .

The victims are identified as Kenny Overton, his wife Barbara and one of his twin sons Phillip. The situation becomes much more sinister when we learn the sons were lured to the house via a text message from Kenny. Did Kenny lure his son to his own death? Or did the killer intend to wipe out the whole family?

The novel has alternating chapters, rotating between the police case, the adult victims and the Longacre Children’s home of 1984. The scenes set in 1984 are harrowing, the powerless victims and their evil tormentor Gordon Tallis. But how did the abuse begin? Who knew about it? Did anyone cover it up? Longacre provides so many questions, as we the reader seek to understand the horror that occurred there.

Connor laird is found alone and wandering the streets of London. When he is collected and taken to Hackney Wick police station. From there he is taken to Longacre by Sally Raynor. We are aware that Sgt Harry Crowley is on the take, but for what, is not revealed. Are Sally and Sgt Crowley part of the cycle of abuse?

‘I’m nobody’s friend’ – Connor Laird

When Connor arrives at Longacre, it isn’t long before he asserts himself as the new ‘top-dog’. Leaving a young Elliot with a bloody nose and a bruised pride. But what does the duties of the ‘top-dog’ fully incorporate?
Has Connor just placed himself in serious danger?

In the present day, we meet a now-adult Elliot Juniper. Elliot is a low-level wheeler-dealer. He isn’t fully legit, but he is no criminal mastermind either. He is befriended and ripped off for £30K by a new friend ‘Gavin’. This drives him to the brink of a breakdown and then the calls begin. . .

‘She’ll know the kind of man you are’

The scenes from Longacre continue to add layer upon layer of tension. As you learn more and more, it is easy to understand how the events would have impacted the victim’s futures and their everyday relationships with others.
A victim’s past is never truly forgotten.

‘An evil from that home had been revived, he was certain of that. And if he didn’t take measures, it would be the end of him’

When the property of Kenny Overton is searched, the team become aware of a shoe box of news clippings and photographs. They directly link Longacre to a series of deaths.

Something happened at Longacre

Flick must trawl through Kenny’s notes regarding fellow residents of Longacre. She makes the shocking discovery that David, Karen, Regina, Ricky and Jason have all died in mysterious circumstances. With Elliot, Amelia, Deborah and Connor being the only survivors from the photos, but where are they now?

The background of Longacre is slowly exposed. The adults that ‘manage’ the home often abuse alcohol and suffer violent mood swings. Life at Longacre must have been hell on earth for the fragile young minds of the past. The children are frightened and have no real authority to stand up to the adults in-charge.
That is until Connor arrives. . .

‘Connor was a nutcase. It was the only explanation’

One of the news articles details a visit from high court judge Leonard Drake. A chairman of Hackney Children’s protection league. But why are Flick and Ray’s fathers tied to the history of Longacre? Will the sins of the father’s past, repeat on their children?

‘A refuge for many kids in the borough without a family’

The novel raises various thought-provoking topics and questions. The abuse of those whom wield all the power and control over their victims, must be unbelievably damaging. The psychology of child victims in the aftermath and into adulthood. The legal and justice system that allowed and effectively enabled these abusive ‘homes’ to flourish. The effect of institutionalising young children and the risks and social/psychological outcomes. There was an era of appalling abuse of society’s most vulnerable. I think this novel highlights the struggle the victims face and their desperation to eradicate their horrific pasts, wouldn’t you feel the same? I think this novel would be ideal for book groups and possibly for victim advocacy groups.

A powerful glimpse into the childhoods of children so overwhelmingly failed by a system intended for them to thrive. 5*

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Mark Hill
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