Anne Bonny #BlogTour Q&A with A.F. Brady @AFBradyNYC #Author of, Once A Liar #NewRelease #Legal #Thriller #Suspense @HQstories

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Once A Liar by A.F. Brady

Synopsis ~

The next gripping thriller from AF Brady…

Peter Caine, a cutthroat Manhattan defense attorney, worked ruthlessly to become the best at his job. On the surface, he is charming and handsome, but inside he is cold and heartless. He fights without remorse to acquit murderers, pedophiles and rapists.

When Charlie Doyle, the daughter of the Manhattan DA—and Peter’s former lover—is murdered, Peter’s world is quickly sent into a tailspin. He becomes the prime suspect as the DA, a professional enemy of Peter’s, embarks on a witch hunt to avenge his daughter’s death, stopping at nothing to ensure Peter is found guilty of the murder.

In the challenge of his career and his life, Peter races against the clock to prove his innocence. As the evidence mounts against him, he’s forced to begin unraveling his own dark web of lies and confront the sins of his past. But the truth of who killed Charlie Doyle is more twisted and sinister than anyone could have imagined…

Q&A ~

Q) For the readers, can you talk us through your background and the synopsis of your new novel?

A.) I am a psychotherapist, I’ve been working in the mental health field for nearly twenty years, and Once a Liar is my second novel. I draw heavily from my experiences working with individuals with mental illnesses when I write my books, which I think lends a unique authenticity to my work.

My novels are set in Manhattan, where I grew up, a place teeming with interesting and diverse people from whom I draw inspiration.

Once a Liar is the story of Peter Caine, a cut-throat Manhattan defence attorney who has recently gained custody of his teenaged son upon the death of his ex-wife. Peter sees little value in other human beings, which has served him well in his career defending the indefensible. When he finds the tables have turned and he is accused of the brutal murder of his on-again off-again mistress Charlie Doyle, Peter desperately tries to prove his innocence, and along his journey, he finds that the damage his heartlessness has done may be too great to overcome.

Q) Can you talk us through the journey from idea, to writing and finally to publication?

A.) I wanted to write a book from the perspective of a sociopath because I found more often than not, literary and media representation of sociopathic stories are told through the lens of those who have been hurt or victimised by the sociopath. I wanted to dig inside his mind and get unsettled in there.

Peter was born of a combination of people I have known in my career, mixed together with a healthy dose of imagination. While I was writing him, I found myself becoming sympathetic to his situation. He’s a cold and unempathetic man, but he has a past, a history that led to his current condition, and he has a future that he seems willing to take steps to improve. Peter took the reins at some point in the writing process and showed me sides of himself that I didn’t know were coming. It was quite a journey.

I was nervous and excited for publication because I knew what a risk I was taking by creating a protagonist that’s hard to sympathize with, but I’m so glad I did. I love stepping outside the box, and my readers have really enjoyed getting inside the mind of a sociopath. It’s unique in that way, but also fast paced and the plot is twisty and complex. It was a pleasure to write, despite getting a little scared of the person I was creating from time to time.

Q) What are your favourite authors and recommended reads?

A.) I love reading books of all genres, and going back to old favourites. I love Jay McInerney, Hemingway (especially Islands in the Stream when it starts to get warm out), anything David Sedaris writes, James Frey, especially A Million Little Pieces, Chuck Palahniuk… I would recommend that everyone read Karoo by Steve Tesich. It’s one of my all-time favourites. I just love the story and the difficult protagonist. I love a journey that’s paved with self-discovery and change.

Q) What were your childhood/teenage favourite reads?

A.) As a kid, I loved Winnie the Pooh, and I still do. I loved Swallows and Amazons (Arthur Ransome), Nancy Drew, the Famous Five (Enid Blyton), all these kinds of adventure stories. My grandparents had troves of old books at their house in Greece, so every summer my brother and I would devour everything they had left over from their own childhoods. And my favourite book growing up was My Family and Other Animals by Gerald Durrell.

Q) What are you currently reading?

A.) I am currently in the middle of several books: American Overdose (Chris McGreal) Picking Cotton (Jennifer Thompson-Cannino and Ronald Cotton), Bright Lights, Big City (Jay McInerney) I reread this one almost yearly, The Plague (Camus) I reread this one almost yearly as well, and I’m just about to start Where the Crawdads Sing (Delia Owens). I’m also reading some manuscripts so I can blurb for other suspense/thriller writers.

Q) What has been your favourite moment of being a published author?

A.) My favourite moment came earlier this spring when a woman reached out to me via email to tell me that she has a very close friend who was diagnosed with a terminal illness and was beginning a bucket list. One of the items on her bucket list was meeting me. I was absolutely floored that my writing had meant so much to someone. We arranged a date and the three of us sat at a diner in Manhattan and chatted for hours about her life, my books, and the impact I made on her life.

Connecting with readers and telling stories that people feel deep down and relate to on some level has always been my favourite part of being a writer, but this one really meant a lot to me.

We are still in touch and are planning on meeting up at the diner again!

Q) Who has been your source of support/encouragement, throughout the writing process?

My family has been incredibly supportive, especially my husband. He takes on many additional roles in order to allow me to take the time I need to write. He helps me work out sticky plot issues, and he never gets tired of sitting around over dinner discussing things I’m going to do to my characters. My dog is also omnipresent while I’m writing, and it’s gotten to the point that I can’t complete a sentence unless he’s lying with me.

AFB
A.F. Brady
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Anne Bonny Q&A with #Author Simon Brett ~ The Liar In The Library ~ @blackthornbks #NewRelease #CosyMystery #CosyCrime

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The Liar In The Library by Simon Brett

Synopsis ~

Fethering has everything a sleepy coastal town should: snug English pubs, cosy cottages, a little local library – and the occasional murder . . .

Bestselling author Burton St Clair, complete with soaring ego and wandering hands, has come to town to give a talk. But after his corpse is found slumped in his car, he won’t be leaving. Jude is the prime suspect; she was, after all, the last person to see Burton St Clair alive. If she is to prove her innocence, she will have to dust off her detective skills and recruit her prim and proper neighbour (and partner-in-sleuthing) Carole to find the real culprit.

Q&A ~

Q) For the readers, can you talk us through your background and the synopsis of your new novel?

A) The Liar in the Library is one in my series of Fethering Mysteries, set in an English village on the South Coast and featuring investigators ex-civil servant Carole and healer Jude. In this book a rather self-important writer (one who believes his own publicity) is murdered after giving a talk at Fethering Library.

Q) Can you talk us through the journey from idea, to writing and finally to publication?

A) When writing a crime series, the most important first element is the setting and I had for some time wanted to write a crime novel set around a library. Once I had that, of course, it brought with it a cast of characters – librarians, customers, etc. Then I had to work out how my series characters, Carole and Jude, would become involved in the investigation. After that, it was just a matter of working out a plot and writing the thing.

Q) What are your favourite authors and recommended reads?

A) I would recommend anything by Jane Austen, Evelyn Waugh and Raymond Chandler. With each of them, what I admire is the economy of their writing and their ability to use humour for more than just being funny. I also admire P.G. Wodehouse for the gleeful way he plays with the English language.

Q) What were your childhood/teenage favourite reads?

A) As a child, I enjoyed Enid Blyton, Malcolm Saville and Pamela Brown. I also liked historical novels by authors like Geoffrey Trease and Raphael Sabatini. And I read most of Agatha Christie.

Q) What are you currently reading?

A) I’ve just finished – and greatly enjoyed – The Mermaid and Mrs Hancock by Imogen Hermes Gowar.

Q) What has been your favourite moment of being a published author?

A) The most exciting moment of my literary career was when I heard that my novel, A Shock to the System, was going to be made into a feature film, starring Michael Caine.

Q) Who has been your source of support/encouragement, throughout the writing process?

A) My wife Lucy supported my decision in 1979 to give up my day job as a television producer and has been a great source of strength to me ever since. I am also deeply indebted to Michael Motley, who was my agent for over forty years, and to Lisa Moylett, who is my current agent.

SB
Simon Brett
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Anne Bonny #BlogTour Q&A with @Carol4OliveFarm Carol Drinkwater #Author of The House On The Edge Of The Cliff #NewRelease #Historical #Thriller #Saga #France @PenguinUKBooks

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The House On The Edge Of The Cliff by Carol Drinkwater
Review To Follow

Synopsis ~

No one else knows what happened that summer. Or so she believes . . .

Grace first came to France a lifetime ago. Young and full of dreams of adventure, she met two very different men.

She fell under the spell of one. The other fell under hers.

Until one summer night shattered everything . . .

Now, Grace is living an idyllic life with her husband, sheltered from the world in a magnificent Provençal villa, perched atop a windswept cliff.

Every day she looks out over the sea – the only witness to that fateful night years ago.

Until a stranger arrives at the house. A stranger who knows everything, and won’t leave until he gets what he wants.

The past and present spectacularly collide in this gripping story of love and betrayal echoing across the decades.

Q&A ~

Q) For the readers, can you talk us through your background and the synopsis of your new novel?

A) I am Irish though born in London. I come from a theatrical family. My father was a musician, agent, entertainer. The stage was in my blood. I wanted to be an actress from the age of four, almost as soon as I could visualise the concept of my future. I also dreamed of being a writer. I was writing from the age of eight and was fortunate to have my first little story/anecdote published when I was ten. At drama school I wrote reams of background stories for all the characters I played. Throughout my professional life as an actress I kept diaries, travel journals, and wrote for magazines.

THE HOUSE ON THE EDGE OF THE CLIFF is set in the South of France close to Marseille in an area known as Les Calanques or The Creeks. It is national parkland, stunning beautiful, rather wild and with very dramatic scenery.
The earlier sections of the novel are set in Paris in the spring of 1968. The historically famous May ’68, which was the year of the student uprisings. It was a fabulous period in modern history, full of optimism and idealism. It was the same time as the marches worldwide against the Vietnam War. The popular music was amazing: Bob Dylan, The Beatles, Mamas and Papas, Bob Marley … many others. My novel is full of this music, enriched, I hope, by the dreams of the young. Dreams, disappointments, first love, sexual awakening … the rites of passage journey from teenager to a young woman and then that same woman’s life at a later stage when the mistakes from her past come back to haunt her.

Q) Can you talk us through the journey from idea, to writing and finally to publication?

A) I wanted to write a story that has a menacing thread to it. Life threatened. A past error that returns to haunt, Grace, my principal character. A secret carried for half a lifetime. And I wanted to locate the story somewhere dramatic, spectacular with high cliffs, commanding seas, long stretches of beach, boulders, boats. An environment where the weather rules and ‘accidents’ can happen. A strip of land and sea where tragedies can be buried, can lay undiscovered for decades.

I also wanted to set the earlier part of Grace’s story against a period of time, modern history, that was evocative and inspiring.

Q) What are your favourite authors and recommended reads?

A) I am a great fan of Isabel Allende, Grahame Greene, Marguerite Duras. Daphne Du Maurier, Somerset Maugham.

I would recommend almost everything each of them has written.

Q) What were your childhood/teenage favourite reads?

A) I loved the Just William books and got into trouble at school for reading them because our English Lit teacher judged them ‘not sufficiently literary’ but read them again and you will find a wonderful window into a slice of English society and its time. And Richmal Crompton’s ability to create richly comic characters and situations is memorable.

The Water Babies by Charles Kingsley was another great favourite of mine. Macmillan have published a recent edition HERE.

All of Dickens, of course.

Q) What are you currently reading? 

A) I am currently RE-reading The Mask of Dimitrios by Eric Ambler.

Of all the books I have recently read, I can highly recommend: the new William Boyd, Love is Blind. Sally Rooney’s Normal People. David Nicholls’ Sweet Sorrow to be published in July, David Park’s Travelling in a Strange Land.

I am a great fan of top quality thriller and suspense writers such Le Carré, Ambler, Greene. These authors are so precise in their storytelling, disciplined. They are also very clever at weaving in social and modern history.

Q) What has been your favourite moment of being a published author?

A) Seeing The Olive Farm, the first of my series of six Olive Farm books soar into the Sunday Times bestseller list. These books spent weeks there and I used to spend hours looking at the newspaper to convince myself it was all true.

Q) Who has been your source of support/encouragement, throughout the writing process?

A) This is never the job of one person. There have been several who have been an encouragement for me. My husband, Michel, comes first because from the beginning he encouraged me to believe I could go professional with my writing. Throughout my career I have had several editors. They changed according to the genre of books I was writing or whether they were for the Young Adult market or commercial fiction or memoirs (The Olive Farm series are memoirs). Alan Samson, who was my non-fiction editor and is now the chairman of W & N, taught me an immense amount about the art of storytelling and being in touch with one’s readers. Alf Wight, who is the real man behind the James Herriot books also helped me. I spent so long filming All Creatures Great and Small that I had plenty of time to ask myself what it was about the books and material that made the stories so successful. Alf Wight had such a gift for welcoming his readers into his world and never talking down to them.

Perhaps the most important inspiration of all are the writers I have read. Reading, reading, reading is the best method of learning to write.

CD
Carol Drinkwater
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Anne Bonny #BlogTour Q&A with #Author of, Tell Me Where You Are @moira_forsyth @sandstonepress #NewRelease #Fiction #FamilyLife #TellMe

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Tell Me Where You Are by Moira Forsyth

Synopsis ~

Frances is doing fine; she has her life sorted. Then comes the phone call from Alec, the husband who left her for her younger sister Susan, thirteen years ago. Susan has disappeared, and Alec wants her daughter Kate to come and stay with Frances, out of harm’s way. Meanwhile, Frances’s youngest sister, Gillian, finds that two months after ending her relationship with a married man, she is pregnant. While all this is going on another crisis is looming. It’s been a family full of secrets. Frances and Gillian haven’t even managed to tell their parents Susan is missing. After all, she’s left unacknowledged thirteen years of birthday and Christmas presents for Kate, the granddaughter they never saw. She was the one who made sure she could never be forgiven, and now there’s another secret. It’s not always the things you fear most, which matter in the end.

Q&A ~

Q) For the readers, can you talk us through your background and the synopsis of your new novel?

A) This novel started with a dream about the turkey we were to have for Christmas dinner. The bizarre dream Frances has at the beginning of the novel is a more detailed version of one I woke from myself, slightly shaken and glad I no longer ate meat, though I was cooking it for everyone else! The dream was too good to waste – which is what I often think when something happens that quite quickly turns itself into fiction in my imagination.

The novel is about three sisters and what happens when the middle one, who has always been trouble, disappears, leaving Frances, her older sister, with her teenage daughter Kate. Kate is in trouble, but no one realises that until it’s too late… The novel is set mainly in the Highlands, where Frances now lives, with significant scenes in Edinburgh, Aberdeen and Newcastle. I can’t get on with a new novel until I’ve decided where the characters live. I know authors who can write vividly about places they’ve never been, but I’d find that difficult. For me, the sense of place is bound up closely with the people, and I want to be sure I can make that convincing.

Q) Can you talk us through the journey from idea to writing to publication?

A) This novel has had a longer journey than most. When Waiting for Lindsay, my first novel, was accepted, Sceptre gave me a two-book deal, which I fulfilled with my second, David’s Sisters. After that, my agent turned down my next novel, which I suspect he had discussed with Sceptre. My sales weren’t high enough for them to offer on that one. I wrote another, but by then the agent had thrown in the towel. That novel, an earlier version of Tell Me Where You Are, went to the back of the drawer with my other unpublished work. (A much larger drawer than the published one!)

My life was then taken up with developing Sandstone Press, of which I’m a founding director. For several years Sandstone published only non-fiction, then in 2010 it was decided we’d try fiction. Tell Me Where You Are was one of the early novels published, because Robert thought it merited that. He carried out a stern edit on it – and when I’d stopped sulking I made all the changes he had suggested – he was right. However, though we were very good editors at Sandstone, we were still learning to be publishers, and the novel pretty well sank without trace. We do better for our authors now!

It’s worth new authors noting that larger publishers often drop authors in this way. I know a number of superb writers who have been ‘let go’ by corporate publishers.
Because of the success of my two subsequent novels, The Treacle Well and A Message from the Other Side, Robert decided my previous novels should all be reissued, starting with Tell Me Where You Are. So here it is, with a beautiful new cover.

Q) What are your favourite authors and recommended reads?

A) Being an editor, and to some extent, being a writer, wrecks your private reading. For bedtime I have crime thrillers on my kindle, for holidays and other times I love literary biographies (I’m reading the first biography of Scott Fitzgerald just now, by Andrew Turnbull, who knew him well), and also re-reading authors I’ve always loved and return to every few years, such as Elizabeth Taylor, Elizabeth Bowen, EM Forster, Alice Munro and George Eliot – Middlemarch is still, for me, the quintessential novel, the best.

Q) What were your childhood/teenage favourite reads?

A) As a child I read everything I could get my hands on. Not allowed to ‘read at the table’ I read everywhere else, though at mealtimes I was restricted to the back of the Shreddies packet and the HP sauce bottle (some of which, in French, I can still quote Cette sauce de haute qualité est un melange d’épices….). I read Alice in Wonderland and Through the Looking Glass over and over, as a little girl, and later devoured all of Enid Blyton’s school stories. My parents often gave me their library tickets to supplement my own, I read so fast and so voraciously. The first time I really understood what writing can do, to draw you into another world, was when I happened on Philippa Pearce’s Tom’s Midnight Garden, which I still think one of the finest children’s novels ever written. As a teenager I read all Georgette Heyer’s Regency romances, but also the Brontes, Thackery, George Eliot and other classics. As a student I read John Fowles’s The Magus with the same absorption and utter belief in its world. That one hasn’t stood the test of time quite as much!

Q) What has been your favourite moment of being a published author?

A) It’s a magical moment when you open the parcel and see your new novel for the first time. When my first, Waiting for Lindsay, was published by Sceptre in 1999, I sat in my little upstairs living-room, in the first house I’d ever had of my own, holding it and unable to believe that at last, this had really happened. I’d had a bad few years, with my marriage breaking up and having to find a new job and manage on my own, but that was a moment of pure happiness.

Q) Who has been your source of support/encouragement, throughout the writing process?

A) My partner in life and at work, Robert Davidson, has supported me all the way through. He’s my editor and critic, and takes a huge pride in my achievements. My children have also been wonderful. Sadly my mother had become ill by the time my first novel was published, and was unable to enjoy it as she would have done in earlier years. My father though, who died in 2012, was an indefatigable supporter and would get my books off the library shelves and hand them to other readers, telling them, ‘My daughter wrote this – it’s very good’. He also rearranged books in bookshops, facing mine out so that they were more easily seen. After his death, I discovered he had kept a full and detailed folder with cuttings of my reviews and every bit of publicity I’d ever had.

Moira_Forsyth_2
Moira Forsyth
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Link to the book available via Sandstone Press

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Anne Bonny #BlogTour Q&A with @OConnellauthor #Author of The Last Night Out #Psychological #Thriller #NewRelease @blackthornbks

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The Last Night Out by Catherine O’Connell
Review To Follow

Synopsis ~

Six friends. Three secrets. One murder.

Maggie is set to marry the man of her dreams. Desperate for one wild last night out on the town before her big day, she gathers her closest girlfriends to hit the bars and party until dawn.

Only things go wrong – horribly wrong.

When Angie’s body is found in the park the following morning, their night to remember quickly becomes a nightmare they all wish they could forget. Under police scrutiny, how far will Maggie and her friends go to keep their secrets? Far enough to protect a killer?

Q&A ~

Q) For the readers, can you talk us through your background and the synopsis of your new novel?

A) I’m a writer and I’ve been a writer since I was a kid. I’ve always had an overactive imagination, and would take that imagination to the page while I was in grammar school, writing short stories that the teacher would read to the class. I continued writing throughout my youth, writing sketches and more short stories, keeping journals that to this day can take me back to the inner workings of a teenager.

Having the goal of being a writer, I majored in Journalism at the University of Colorado. But by the time I graduated, I felt like journalistic writing was far too dry and restrictive for my goals. I really wanted to recognize my dream of being a novelist and the creativity of fiction versus reality. So I embarked on all kinds of adventures thinking that the more experiences I collected the more fodder I’d have for novels. I backpacked Europe and then lived for a couple of years as a ski bum in Aspen, working as a hotel maid and receptionist. Then I returned to my hometown of Chicago and worked as a waitress and a bar manager on Rush Street, floor runner at the Chicago Board of Trade, and a sales rep for a fine wine company. All through that time period I had countless ideas for books and started dozens of novels that never got much farther than ten or twenty pages.

It wasn’t until I the 90s that I finally committed myself to the work required to take it a step further. Doing what all authors need to do, I put my bottom down on a chair and started writing. I finished one novel, sent it out to an agent, but it never sold. I finished writing another book shortly thereafter and that one did sell, becoming Skins (Donald I Fine) in 1993. After that, I published a pair of high society mysteries, Well Bred and Dead and Well Read and Dead, inspired by questionable circumstances and multiple birth certificates surrounding the death of a friend.

My current book, The Last Night Out draws upon my life experiences as well. I worked as a bartender in Rush Street Chicago in the late 1980s. The scene was pretty wild back then and just when I thought I’d seen everything, someone would take things a step further. Then, in the late 90s, my husband and I started a nightclub tour business called The Party Bus. As things turned out, our primary customers were young women having bachelorette parties. If I thought I saw some crazy things as a bartender, well, those bachelorettes took it up a notch.

Coincidentally, the first novel I’d written and never gotten published was about a women getting drunk at her bachelorette party and one of her friends ending up dead. Inspired by the bachelorettes on The Party Bus, I decided to pull out that manuscript and rework it and, voila, The Last Night Out was born.

I want to add that getting published isn’t a direct line to literary success. I have more than a few dusty unpublished manuscripts occupying a safe place in the closet under my stairs. But if you’re a writer, you just keep on writing. It’s kind of like being an alcoholic—either you’re practicing or your not.

The Last Night Out is the story of six high school friends who come together in Chicago’s northern suburbs to celebrate Maggie Trueheart’s upcoming wedding. The party moves downtown to Rush Street where the girls drink into the wee hours of the night. The next morning Maggie awakes to find a stranger in her bed. If that’s not bad enough, a phone call brings the horrifying news that her friend Angie, one of the party-goers, has been murdered.

Afraid her fiancé might learn about her infidelity, Maggie lies to the detectives assigned to Angie’s case, trapping herself into a series of lies that become more and more convoluted as the search for Angie’s killer continues. And while Maggie is caught in her own fabric of lies, little does she know the rest of the girls have lies of their own, all of the lies in some way connected to Angie’s murder. Unbeknownst to them, one of the lies has put another one of them in the killer’s sights.

Q) Can you talk us through the journey from idea, to writing and finally to publication?

A) It’s my belief that the writing process is different for every writer. There’s no template for creating a book. Some writers make extensive outlines, some just start blind, some know where they’re going, some have no idea. I’m telling you this because I think that readers often think that there is something orderly in creating a book, and I’m the first person to tell you, there is not. The only thing all writers have in common is that they have to sit down and put that story on the page by somehow pulling it out of their head and putting it on paper. Which, I might add, can often be quite painful.

When I start writing a new book, I’m pretty much set on the beginning and the end. What’s left is to fill in everything in between and hope it matches up. I do write a rough synopsis as a sort of map, but I usually veer from that synopsis fairly quickly as my brain leads me in a different directions once I get into the story.

The bottom line for me is to just start writing. Rule #1 for me. Right after coffee in the morning. Otherwise I might get sidetracked into doing something important like cleaning the bathroom. The rough draft is the hardest. It’s kind of like pulling your brain out your ear with a tweezers. I try for five pages, around 1000 words, a day, but sometimes only come up with one. When I get really stuck I grab a yellow pad and paper and sit in a corner or go outside. The goal is to push the story forward. And though I have a pretty good idea who my characters are, guess what? They change along the way. But rather than go back and make everything consistent, I plod towards the end of the book. The idea is to get the story down. I know I can always go back and fix things later. The old writer’s axiom is, you can fix a blank page, but you can’t fix an empty one.

Once the story is finished, for me the heavy lifting is over. It’s like going through the pain of building a house, and now it’s time to decorate. Early in my writing career, I discovered if I kept going back to make the first ten pages perfect, I’d never get to the other 290. Rewrite’s the time to do that, to fix uneven plot points, to embellish descriptions, to sharpen dialogue. My first rewrite is pretty substantial, fixing up sloppy language and getting times and places match up. And my character’s appearances! You can’t believe how many time I’ve changed a character’s appearance or background or even their name in the rough draft and have to make it all jibe. Then there’s a second rewrite and then a third, each time with less needing polish. It’s during the fourth rewrite when I start to feel it’s all matching up and it’s time to say ‘enough’ before I ruin anything!

My agent is the first person to read my manuscript. I’ve already run the story idea past her, but after that I don’t send her anything until I’m basically finished. That’s because my first draft is such a mess no one would ever believe it could be a book. Once I send my agent the completed and polished manuscript, she gives it a careful read, does some editing, and points out things that might need to be clarified. I’m proud to say there usually isn’t much that needs changing at that point, and when she OKs it I breathe a sigh of relief.

Q) What are your favourite authors and recommended reads?

A) I love Barbara Kingsolver, The Lacuna being one of my favourite books. Geraldine Brooks is another favourite, both March and The Year of Wonders high up on my list. I’ve been reading a lot of fiction about World War I and II and Kate Atchinson’s Life After Life and A God in Ruins were amazing. Ian Mc Kewen’s Atonement blew me away, and if you want to get a good understanding of the horror of World War I, Birdsong by Sebastian Faulks is required reading.

I love Nelson DeMille’s edgy tough guy characters, The Gold Coast another one of my all time favorites.
Wallace Stegner’s Angle of Repose.

I tend not to read in my genre when I’m working on a book because it influences my writing, but when I’m not writing I love falling into mysteries by P.D. James, Dick Francis, Dennis Lehane, Thomas Cook, and Donna Leon. One of my favourites early on was Raymond Chandler for his great plots and sharp dialogue.

Q) What were your childhood/teenage favourite reads?

Q) I guess I have to start with the Bobbsey Twins and Nancy Drew, books for young American readers. They inspired in me this amazing desire to read which then morphed into me wanting to tell stories of my own. As I grew older and my thirst for reading grew, I branched out into historical fiction. My favourite books were Gone With the Wind by Margaret Mitchell, Hawaii by James Michener, Exodus by Leon Uris and the Fountainhead and Atlas Shrugged by Ayn Rand. I used to feel that if a book wasn’t at least 800 pages, it wasn’t worth picking up.

Q) What are you currently reading?

A) Just finished Eleanor Oliphant is Perfectly Fine by Gail Honeyman and loved it. Next up is Where the Crawdads Sing by Delia Owens. I’ve heard so many good things about it I have to read it.

Q) What has been your favourite moment of being a published author?

A) Seeing my book in print. There’s a sense of validation in having your work published that can not be described.

Q) Who has been your source of support/encouragement, throughout the writing process?

A) My husband has always been a source of invaluable support and encouragement. Every time I’ve felt like quitting, he says, “You got this far. Why quit now?”
And my friends. They have always told me I could make it. Especially my friend, Luky, who kept me going by saying, “If you throw enough of you know what against the wall, some of it’s going to stick.” It’s crazy stuff like that that keeps you going.

COC
Catherine O’Connell
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